Feathers and fractals

We’ve had a quiet Christmas at home, the first one we’ve ever not spent with other people. We’ve avoided the traditional festive excess, although I did buy a tree, which is currently festooned with various plush animals, scented pine cones, tinsel and blue lights that resemble tiny aliens or deep sea bioluminescence more than they do fairies. As we’ve both been suffering from the plague that suddenly descended upon Aberdeen, it was quite nice to have the time to recover.

I’m already looking forward to next year’s triathlon season, and contemplating camping destinations for the summer. My new, water-resistant Vibrams should arrive in time for New Year so maybe we’ll be able to resurrect our Hogmanay Chain Walk tradition — winter adventuring has been out of the question for the last couple of years because of my dodgy foot, as the existing Vibram Fivefinger models are neither waterproof nor especially warm. Not ideal for Scottish weather in the cold months.

I have been restricted to short walks in big boots, but there are still beautiful things to be seen even then. One of the joys of this time of year is the low sun in crisp, clear skies.

I have a particular love for the interactions of sun, sea, sand and sky, and in winter they can be especially glorious. My skill with the camera not being sufficient to do them justice doesn’t stop me trying.

Originally published at Singularity. You can comment here or there.

As has become something of a tradition over the past couple of years, we’re spending Christmas away from (temporary) home in the company of family. As is also something of a tradition, we’re spending the holiday season in the back of beyond where there is almost no phone reception, so if you have sent me any text messages wishing me good cheer and I haven’t replied it’s not because I don’t love you any more: I haven’t received it. We do, however, have wifi and this year I brought a laptop so I can continue writing.

The lodge where we’re staying is amazing. Seriously amazing. I could live in a house like this quite happily. The only thing that could make it better is if it were a lighthouse, but I’m being picky. The weather so far has been fairly grim and dreich, so the light has been far too poor for taking photographs. Still, I snapped this shot of the view from the upper balcony in an effort to show the spectacular view of the torrents roaring constantly in the background. We sleep with the window open.

Yesterday Frood and I went out with the parents on a short but windy, wet and enjoyable bike ride to explore a little. Needing something that would fit on the rack, and with most of the noble steeds in storage, I was obliged to bring Shackleton, sporting his brand new wheels (more on that particular saga later). The thing is, I’ve put the Hutchinson Gold Cross tyres on him in preparation for the snows, and I left the 16 tooth sprocket on, so he’s currently rolling around with gear inches in excess of 70. This would be fine for the hill-free streets of Aberdeen, but out here in the wilds the roads come in lumpy. I think we did all of 6 miles yesterday and my legs are no longer speaking to me. I am seriously out of practise on fixed!

Finally, here is medium-sized Stitch (still on his Scotland tour) wearing the Stitch slippers Nick and Candice got me for my Christmas:

Originally published at Singularity. Leave any comments there or here.

I have a couple of pictures for you today and not many words to go with them. The first is a photograph of a red squirrel. He was on a tree above the Falls at Acharn, which when we visited were frozen into a cascade of sharpened, jagged teeth and chaotic, amorphous, billowing pillows of sugary ice. I will post pictures of that when I’ve decided which are the best.

My mum thought this little chap was playing peek-a-boo around tree. To me he looked more like a celebrity fleeing the paparazzi, and I was lucky to get a shot of him at all. He was last seen scampering across a fallen tree under the bridge to escape our enthusiastically pointing fingers. The red squirrel is up there on the shortlist of Scotland’s iconic animals, along with the Highland Coo and the haggis. I’ve always assumed that Ratatoskr was a red.

This second picture I took on a horrible, grim, dreich day when the snow was starting to soften and melt. Frood was attempting to stack rocks on the shores of Loch Tay and grumbling about the soft schist and cold fingers. I was disappointed by the light and lack of things to photograph. And then I saw this:

I am not entirely sure what process caused this ice formation, with its fat drops hanging from the brittle, delicate sheet above. I could hazard some guesses and have pondered it at length. And yet, at the same time, I am content to have found a moment of startling and unexpected beauty and captured an echo of it as a souvenir.

Originally published at Singularity. You can comment here or there.

Having synaesthesia means that I see things differently from others all of the time. The very word “see” is generally inappropriate. Light hits the retina, electrical impulses travel back along the optic nerve, and about there the similarities stop. In me that signal is processed by the brain through a weird amalgam of all my other senses. My synaesthesia even includes one of the senses not considered in the usual five: proprioception. Is it because I lost an eye at a critical age, rather than being born blind in one, or losing it much later? I don’t know. Sometimes I think that could explain many things about me, from the way I smell colours and inhabit the shapes of sounds to the way I have to do some things right handed and some things left.

On the whole, though, I think that what I am probably doing there is looking for a reason. And, a lot of the time, things just are. They’re not purposeful, they’re not meaningful, they’re not deliberate, they’re not fair or unfair… They just are.

I get a special thrill from experiencing a similar sense of wonder and joy at a particular thing to that of someone else. While I know it’s terribly unlikely that the other person is excited by the shape formed by that particular aroma, or the soundscape that whispers and hums in the background to a piece of scenery, the sharing of that childlike marvel that the world can be so astonishing and wonderful is more than enough.

Last night the temperature was -15°C and the skies were clear. Outside the snow froze surface-crisp. And how it sparkled! We have a rough patch of waste ground out back, and there’s a car park surrounded by a chain-link fence. It’s not beautiful. It’s no Midnight. Yet, even so, it was astonishing, because a myriad diamond glitters danced across the snow. For a moment I could imagine that stars have a spawning cycle that includes a terrestrial phase, the way coral has a planktonic larval stage, and these were the babies fallen to Earth. Frood also thought it was brilliant and we stood in a darkened room with our noses pressed against the glass, staring.

I decided to photograph it. Sadly the battery on my camera died and I was forced to use my phone, which doesn’t have the optics to do it justice. Although, of course, for me the synaesthetic response is different when looking at photographs. I see the photograph, not the thing in the photograph. So no photograph can ever capture the moment, despite what the camera adverts say.

Doesn’t stop me trying.

Originally published at Singularity. You can comment here or there.